{"id":60447,"date":"2026-08-11T14:21:32","date_gmt":"2026-08-11T12:21:32","guid":{"rendered":"https:\/\/www.nomos.de\/?post_type=mediadata&#038;p=60447"},"modified":"2026-09-10T16:36:18","modified_gmt":"2026-09-10T14:36:18","slug":"kritisches-journal-der-islamischen-theologie-kjit","status":"publish","type":"mediadata","link":"https:\/\/www.nomos.de\/en\/journals\/kritisches-journal-der-islamischen-theologie-kjit\/","title":{"rendered":"Yearbook of Music Psychology | Jahrbuch Musikpsychologie (JBDGM)"},"content":{"rendered":"\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"about\" aria-hidden=\"true\"><\/span>About<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">ISSN Print 2511-8277 <br>ISSN Online 2569-5665 <br>Published annually<\/p>\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"editor\" aria-hidden=\"true\"><\/span>Editor<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Die Deutsche Gesellschaft f\u00fcr Musikpsychologie (DGM), vertreten durch den Herausgeber<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/scholar.google.de\/citations?user=o0y3Y1oAAAAJ&amp;hl=de\" target=\"_blank\" rel=\"noreferrer noopener\">Reinhard Kopiez<\/a><\/strong> <br>Hanover Music Lab, Hochschule f\u00fcr Musik, Theater und Medien Hannover, Germany<br>ORCID ID: <a href=\"https:\/\/orcid.org\/0000-0003-3356-3478\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/orcid.org\/0000-0003-3356-3478<\/a><\/p>\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"editorial-office\" aria-hidden=\"true\"><\/span>Editorial Office<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?user=HwZBwoEAAAAJ&amp;hl=de\" target=\"_blank\" rel=\"noreferrer noopener\">Nina D\u00fcvel<\/a> <br><\/strong>Technische Informationsbibliothek (TIB) Hannover, Leibniz Joint Lab Future Libraries &amp; Research Data, Germany<br><a href=\"https:\/\/orcid.org\/0000-0003-0877-0483\" target=\"_blank\" rel=\"noreferrer noopener\">Nina D\u00fcvel (0000-0003-0877-0483) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?user=NsY6jwkAAAAJ&amp;hl=de\" target=\"_blank\" rel=\"noreferrer noopener\">Kilian Vogt<\/a><\/strong> <br>Musikwissenschaftliches Institut, Hochschule f\u00fcr Musik, Theater und Medien Hannover, Germany<br><a href=\"https:\/\/orcid.org\/0000-0003-3770-7483\" target=\"_blank\" rel=\"noreferrer noopener\">Kilian Vogt (0000-0003-3770-7483) &#8211; ORCID<\/a><\/li>\n<\/ul>\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"advisory-board\" aria-hidden=\"true\"><\/span>Advisory Board<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=it&amp;user=sVN2tSMAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Anna Rita Addessi<br><\/a><\/strong>Department of Education Studies, University of Bologna<br><a href=\"https:\/\/orcid.org\/0000-0002-3663-3673\" target=\"_blank\" rel=\"noreferrer noopener\">Anna Rita Addessi (0000-0002-3663-3673) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=6S8S8iIAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Ralf von Appen <br><\/a><\/strong>Institut f\u00fcr Popularmusik, Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien<br><a href=\"https:\/\/orcid.org\/0000-0001-8850-5617\" target=\"_blank\" rel=\"noreferrer noopener\">Ralf von Appen (0000-0001-8850-5617) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=nPDrFrYAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Claudia Bullerjahn<\/strong><\/a> <br>Institut f\u00fcr Musikwissenschaft und Musikp\u00e4dagogik, Universit\u00e4t Giessen<br><a href=\"https:\/\/orcid.org\/0000-0001-8157-5057\" target=\"_blank\" rel=\"noreferrer noopener\">Claudia Bullerjahn (0000-0001-8157-5057) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=zot26McAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Veronika Busch<\/a> <br><\/strong>Institut f\u00fcr Musikwissenschaft und Musikp\u00e4dagogik, Universit\u00e4t Bremen<br><a href=\"https:\/\/orcid.org\/0000-0003-3520-4698\" target=\"_blank\" rel=\"noreferrer noopener\">Veronika Busch (0000-0003-3520-4698) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=RfizTekAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Claus-Christian Carbon<\/a><\/strong><br>Institut f\u00fcr Psychologie, Universit\u00e4t Bamberg<br><a href=\"https:\/\/orcid.org\/0000-0002-3446-9347\" target=\"_blank\" rel=\"noreferrer noopener\">Claus-Christian Carbon (0000-0002-3446-9347) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=8yY_QwEAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Franziska Deg\u00e9 <br><\/a><\/strong>Max-Planck-Institut f\u00fcr empirische \u00c4sthetik <br><a href=\"https:\/\/orcid.org\/0000-0002-1046-076X\" target=\"_blank\" rel=\"noreferrer noopener\">Franziska Deg\u00e9 (0000-0002-1046-076X) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?user=K-odYUYAAAAJ&amp;hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">Tuomas Eerola <br><\/a><\/strong>Department of Music, Durham University<br><a href=\"https:\/\/orcid.org\/0000-0002-2896-929X\" target=\"_blank\" rel=\"noreferrer noopener\">Tuomas Eerola (0000-0002-2896-929X) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=aSSMPDoAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Hauke Egermann<\/a><\/strong>  <br>Musikwissenschaftliches Institut, Universit\u00e4t zu K\u00f6ln<br><a href=\"https:\/\/orcid.org\/0000-0001-7014-7989\" target=\"_blank\" rel=\"noreferrer noopener\">Hauke Egermann (0000-0001-7014-7989) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=GouJDbcAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Timo Fischinger<\/a> <br><\/strong>Hochschule f\u00fcr Musik und Darstellende Kunst<br><a href=\"https:\/\/orcid.org\/0000-0001-5769-7011\" target=\"_blank\" rel=\"noreferrer noopener\">Timo Fischinger (0000-0001-5769-7011) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=OwRHoYcAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Klaus Frieler<\/a>  <br><\/strong>Max-Planck-Institut f\u00fcr empirische \u00c4sthetik<br><a href=\"https:\/\/orcid.org\/0000-0002-6055-377X\" target=\"_blank\" rel=\"noreferrer noopener\">Klaus Frieler (0000-0002-6055-377X) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=XaXOV40AAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Werner Goebl <\/a><br><\/strong>Institut f\u00fcr musikalische Akustik, Wiener Klangstil, Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien<br><a href=\"https:\/\/orcid.org\/0000-0002-1722-0718\" target=\"_blank\" rel=\"noreferrer noopener\">Werner Goebl (0000-0002-1722-0718) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=mUuC-rMAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Johannes Hasselhorn<\/a>  <br><\/strong>Department Fachdidaktiken, Friedrich-Alexander-Universit\u00e4t Erlangen-N\u00fcrnberg<br><a href=\"https:\/\/orcid.org\/0000-0003-3384-224X\" target=\"_blank\" rel=\"noreferrer noopener\">Johannes Hasselhorn (0000-0003-3384-224X) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=9hCXLVwAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Jan-Peter Herbst <br><\/a><\/strong>Department of Music &amp; Design Arts, University of Huddersfield<br><a href=\"https:\/\/orcid.org\/0000-0001-7453-0141\" target=\"_blank\" rel=\"noreferrer noopener\">Jan-Peter Herbst (0000-0001-7453-0141) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?user=JZ5Hu2kAAAAJ&amp;hl=fi&amp;oi=ao\" target=\"_blank\" rel=\"noreferrer noopener\">Erkki Huovinen <br><\/a><\/strong>Department of Music Education, Royal College of Music<br><a href=\"https:\/\/orcid.org\/0000-0003-0646-0043\" target=\"_blank\" rel=\"noreferrer noopener\">Erkki Huovinen (0000-0003-0646-0043) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=eTVAcfIAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Jens Knigge <\/a><br><\/strong>Faculty of Education and Arts, Nord University, Campus Levanger<br><a href=\"https:\/\/orcid.org\/0000-0002-3910-7716\" target=\"_blank\" rel=\"noreferrer noopener\">Jens Knigge (0000-0002-3910-7716) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=VYJB2KQAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Gunter Kreutz  <br><\/a><\/strong>Institut f\u00fcr Musik, Carl von Ossietzky Universit\u00e4t Oldenburg&nbsp;<br><a href=\"https:\/\/orcid.org\/0000-0001-9586-241X\" target=\"_blank\" rel=\"noreferrer noopener\">Gunter Kreutz (0000-0001-9586-241X) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=DioMTo4AAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Elke B. Lange<\/a><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=DioMTo4AAAAJ\"> <br><\/a><\/strong>Max-Planck-Institut f\u00fcr empirische \u00c4sthetik<br><a href=\"https:\/\/orcid.org\/0000-0002-8928-3718\" target=\"_blank\" rel=\"noreferrer noopener\">Elke B. Lange (0000-0002-8928-3718) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=iOtAqQ0AAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Andr\u00e9 Lee <br><\/a><\/strong>Institut f\u00fcr Musikphysiologie und Musikermedizin, Hochschule f\u00fcr Musik, Theater und Medien Hannover<br><a href=\"https:\/\/orcid.org\/0000-0002-5557-3127\" target=\"_blank\" rel=\"noreferrer noopener\">Andr\u00e9 Lee (0000-0002-5557-3127) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=chATYTUAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Andreas C. Lehmann <br><\/a><\/strong>Hochschule f\u00fcr Musik W\u00fcrzburg<br><a href=\"https:\/\/orcid.org\/0000-0002-0478-4928\" target=\"_blank\" rel=\"noreferrer noopener\">Andreas C. Lehmann (0000-0002-0478-4928) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=MepwIJ8AAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Steffen Lepa <br><\/a><\/strong>Institut f\u00fcr Sprache und Kommunikation, Technische Universit\u00e4t Berlin<br><a href=\"https:\/\/orcid.org\/0000-0002-2540-3661\" target=\"_blank\" rel=\"noreferrer noopener\">Steffen Lepa (0000-0002-2540-3661) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=lTLy7kQAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Kai Lothwesen <\/a> <br><\/strong>Staatliche Hochschule f\u00fcr Musik Trossingen<br><a href=\"https:\/\/orcid.org\/0000-0001-6988-4113\" target=\"_blank\" rel=\"noreferrer noopener\">Kai Lothwesen (0000-0001-6988-4113) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=GmMI5fwAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Christoph Louven <br><\/a><\/strong>Institut f\u00fcr Musikwissenschaft und Musikp\u00e4dagogik, Universit\u00e4t Osnabr\u00fcck<br><a href=\"https:\/\/orcid.org\/0000-0002-5229-0500\" target=\"_blank\" rel=\"noreferrer noopener\">Christoph Louven (0000-0002-5229-0500) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=EfAlNfkAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Adina Mornell<\/a> <br><\/strong>Hochschule f\u00fcr Musik und Theater M\u00fcnchen<br><a href=\"https:\/\/orcid.org\/0000-0003-3531-5646\" target=\"_blank\" rel=\"noreferrer noopener\">Adina Mornell (0000-0003-3531-5646) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=R8bF-PUAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Daniel M\u00fcllensiefen <br><\/a><\/strong>Institut f\u00fcr Systematische Musikwissenschaft, Universit\u00e4t Hamburg<br><a href=\"https:\/\/orcid.org\/0000-0001-7297-1760\" target=\"_blank\" rel=\"noreferrer noopener\">Daniel Mullensiefen (0000-0001-7297-1760) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=pA2g53gAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Michael Oehler <br><\/a><\/strong>Institut f\u00fcr Musikwissenschaft und Musikp\u00e4dagogik, Universit\u00e4t Osnabr\u00fcck<br><a href=\"https:\/\/orcid.org\/0000-0003-1034-8601\" target=\"_blank\" rel=\"noreferrer noopener\">Michael Oehler (0000-0003-1034-8601) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=7C0smjoAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Friedrich Platz<\/a> <br><\/strong>Institut f\u00fcr \u00c4sthetisch-Kulturelle Bildung, Abteilung Musik, Universit\u00e4t Flensburg<br><a href=\"https:\/\/orcid.org\/0000-0002-9758-9434\" target=\"_blank\" rel=\"noreferrer noopener\">Friedrich Platz (0000-0002-9758-9434) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=yWz6TKYAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Christoph Reuter <\/a><\/strong><br>Institut f\u00fcr Musikwissenschaft, Universit\u00e4t Wien <br><a href=\"https:\/\/orcid.org\/0000-0003-2964-2683\" target=\"_blank\" rel=\"noreferrer noopener\">Christoph Reuter (0000-0003-2964-2683) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=v_bo6OEAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolas Ruth<\/a> <\/strong><br>Hochschule f\u00fcr Musik und Theater M\u00fcnchen<br><a href=\"https:\/\/orcid.org\/0000-0002-4189-3162\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolas Ruth (0000-0002-4189-3162) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=uX8pqSwAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Stephan Sallat<\/a><\/strong> <br>Institut f\u00fcr Rehabilitationsp\u00e4dagogik, P\u00e4dagogik, Pr\u00e4vention und Intervention bei Sprach- und Kommunkationsbeeintr\u00e4chtigungen, Universit\u00e4t Halle <br><a href=\"https:\/\/orcid.org\/0000-0001-9111-7615\" target=\"_blank\" rel=\"noreferrer noopener\">Stephan Sallat (0000-0001-9111-7615) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=6BssX90AAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Thomas Sch\u00e4fer<\/a>  <br><\/strong>Medical School Berlin<br><a href=\"https:\/\/orcid.org\/0000-0002-9910-2642\" target=\"_blank\" rel=\"noreferrer noopener\">Thomas Sch\u00e4fer (0000-0002-9910-2642) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=9Pn3DZEAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Holger Schramm<\/a> <br><\/strong>Institut Mensch-Computer-Medien, Universit\u00e4t W\u00fcrzburg<br><a href=\"https:\/\/orcid.org\/0000-0001-5735-9020\" target=\"_blank\" rel=\"noreferrer noopener\">Holger Schramm (0000-0001-5735-9020) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/research.unsw.edu.au\/people\/professor-emery-schubert\" target=\"_blank\" rel=\"noreferrer noopener\">Emery Schubert<\/a> <br><\/strong>Department of Arts, Design, and Architecture, UNSW Sydney<br><a href=\"https:\/\/orcid.org\/0000-0002-6541-8083\" target=\"_blank\" rel=\"noreferrer noopener\">Emery Schubert (0000-0002-6541-8083) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=kmcGuvgAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Eva Schurig<\/a> <br><\/strong>Institut f\u00fcr Musik, Carl von Ossietzky Universit\u00e4t Oldenburg<br><a href=\"https:\/\/orcid.org\/0000-0002-3710-7966\" target=\"_blank\" rel=\"noreferrer noopener\">Eva Schurig (0000-0002-3710-7966) &#8211; ORCID<\/a>&nbsp;<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=zjrf5CUAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Olivier Senn<\/a> <br><\/strong>Hochschule Luzern &#8211; Musik<br><a href=\"https:\/\/orcid.org\/0000-0002-4944-3115\" target=\"_blank\" rel=\"noreferrer noopener\">Olivier Senn (0000-0002-4944-3115) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=91aoPuYAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Kai Siedenburg<\/a> <br><\/strong>Signal Processing and Speech Communication Laboratory, Technische Universit\u00e4t Graz<br><a href=\"https:\/\/orcid.org\/0000-0002-7360-4249\" target=\"_blank\" rel=\"noreferrer noopener\">Kai Siedenburg (0000-0002-7360-4249) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=3ghJy30AAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Felix C. Thiesen<\/a> <br><\/strong>Musikwissenschaftliches Institut, Hochschule f\u00fcr Musik, Theater und Medien Hannover<br><a href=\"https:\/\/orcid.org\/0000-0002-9186-2372\" target=\"_blank\" rel=\"noreferrer noopener\">Felix C. Thiesen (0000-0002-9186-2372) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=--MkhYUAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Renee Timmers<\/a> <br><\/strong>School of Languages, Arts and Societies, University of Sheffield<br><a href=\"https:\/\/orcid.org\/0000-0002-1981-0834\" target=\"_blank\" rel=\"noreferrer noopener\">Renee Timmers (0000-0002-1981-0834) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=neOeHKIAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Clemens W\u00f6llner <\/a><br><\/strong>Hochschule f\u00fcr Musik Freiburg<br><a href=\"https:\/\/orcid.org\/0000-0002-8508-3508\" target=\"_blank\" rel=\"noreferrer noopener\">Clemens W\u00f6llner (0000-0002-8508-3508) &#8211; ORCID<\/a><\/li>\n<\/ul>\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"dgm-board\" aria-hidden=\"true\"><\/span>DGM Board<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><a href=\"https:\/\/www.hmtm-hannover.de\/de\/studium\/personen\/e-h\/dr-ann-kristin-herget\/\" target=\"_blank\" rel=\"noreferrer noopener\">Ann-Kristin Herget<\/a> <br><\/strong><a href=\"https:\/\/orcid.org\/0000-0001-6568-0244\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a>Institut f\u00fcr Journalistik und Kommunikationsforschung, Hochschule f\u00fcr Musik, Theater und Medien, Hannover<br><a href=\"https:\/\/orcid.org\/0000-0001-6568-0244\" target=\"_blank\" rel=\"noreferrer noopener\">Ann-Kristin Herget (0000-0001-6568-0244) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.mh-freiburg.de\/personen\/details\/dr-phil-jesper-hohagen\" target=\"_blank\" rel=\"noreferrer noopener\">Jesper Hohagen<\/a> <br><\/strong>Freiburger Institut f\u00fcr Musikermedizin, Hochschule f\u00fcr Musik Freiburg <br><a href=\"https:\/\/orcid.org\/0000-0002-6149-4783\" target=\"_blank\" rel=\"noreferrer noopener\">Jesper Hohagen (0000-0002-6149-4783) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=4gPHclgAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">J\u00f6rg M\u00fchlhans<\/a><\/strong><br>MediaLab, Universit\u00e4t Wien<br><a href=\"https:\/\/orcid.org\/0000-0001-9720-7355\" target=\"_blank\" rel=\"noreferrer noopener\">J\u00f6rg M\u00fchlhans (0000-0001-9720-7355) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=6Aiyd9wAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Kathrin Schlemmer<\/a><\/strong><br>Katholische Universit\u00e4t Eichst\u00e4tt-Ingolstadt<br><a href=\"https:\/\/orcid.org\/0000-0003-2047-2411\" target=\"_blank\" rel=\"noreferrer noopener\">Kathrin Schlemmer (0000-0003-2047-2411) &#8211; ORCID<\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=fofDavUAAAAJ\" target=\"_blank\" rel=\"noreferrer noopener\">Anna Wolf<\/a><\/strong><br>Institut f\u00fcr Musikp\u00e4dagogik und Kirchenmusik, Hochschule f\u00fcr Musik Weimar<br><a href=\"https:\/\/orcid.org\/0000-0002-6196-6488\" target=\"_blank\" rel=\"noreferrer noopener\">Anna Wolf (0000-0002-6196-6488) &#8211; ORCID<\/a><\/li>\n<\/ul>\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"past-editors-in-chief\" aria-hidden=\"true\"><\/span>Past Editors-in-Chief<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">2019-2022 (Band 29-30)&nbsp;&nbsp;<a href=\"https:\/\/orcid.org\/0000-0001-5769-7011\" target=\"_blank\" rel=\"noreferrer noopener\">&nbsp;Timo&nbsp;<strong>FISCHINGER<\/strong><\/a>, Hochschule f\u00fcr Musik und Darstellende Kunst, Germany<br>2017-2022 (Band 27-30)&nbsp;&nbsp;&nbsp;<a href=\"https:\/\/orcid.org\/0000-0002-5229-0500\" target=\"_blank\" rel=\"noreferrer noopener\">Christoph&nbsp;<strong>LOUVEN<\/strong><\/a>, Universit\u00e4t Osnabr\u00fcck, Germany<br>2014-2016 (Band 24-26)&nbsp;&nbsp;&nbsp;<a href=\"https:\/\/orcid.org\/0000-0003-2091-4339\" target=\"_blank\" rel=\"noreferrer noopener\">Richard&nbsp;<strong>VON GEORGI<\/strong><\/a>, SRH Berlin University of Applied Sciences, Germany<br>2007-2018 (Band 19-28)&nbsp;&nbsp;&nbsp;Wolfgang&nbsp;<strong>AUHAGEN<\/strong>, Universit\u00e4t Halle, Germany<br>2007-2018 (Band 19-28)&nbsp;&nbsp;<a href=\"https:\/\/orcid.org\/0000-0001-8157-5057\" target=\"_blank\" rel=\"noreferrer noopener\">&nbsp;Claudia&nbsp;<strong>BULLERJAHN<\/strong><\/a>, Universit\u00e4t Giessen, Germany<br>2007-2013 (Band 19-23)&nbsp;&nbsp;&nbsp;Holger&nbsp;<strong>H\u00d6GE<\/strong>, Universit\u00e4t Oldenburg, Germany<br>1984-2006 (Band 01-18)&nbsp;&nbsp;&nbsp;Klaus-Ernst&nbsp;<strong>BEHNE \u2020<\/strong>, Hochschule f\u00fcr Musik, Theater und Medien Hannover, Germany<br>1984-2006 (Band 01-18)&nbsp;&nbsp;&nbsp;G\u00fcnter&nbsp;<strong>KLEINEN<\/strong>, Universit\u00e4t Bremen, Germany<br>1984-2006 (Band 01-18)&nbsp;&nbsp;&nbsp;Helga&nbsp;<strong>DE LA MOTTE-HABER<\/strong>, Technische Universit\u00e4t Berlin, Germany<\/p>\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"publication-alert-toc-alert\" aria-hidden=\"true\"><\/span>Publication Alert (TOC-Alert)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Register now for the free&nbsp;<strong><em><strong><em>JBDGM<\/em><\/strong><\/em><\/strong> Publication Alert (TOC-Alert) and never miss an issue again! Simply register with&nbsp;<a href=\"https:\/\/www.inlibra.com\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">Inlibra<\/a>. Then click on \u201cAlert Settings\u201d in your profile and select&nbsp;<strong><em><strong><em>JBDGM<\/em><\/strong><\/em><\/strong>&nbsp;under&nbsp;<strong>4 Journals (TOC-Alert)<\/strong>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"call-for-papers\" aria-hidden=\"true\"><\/span>Call for Papers<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"guidelines-for-authors\" aria-hidden=\"true\"><\/span>Guidelines for Authors<\/h2>\n\n\n<div class=\"mediadata__grey-box\">\n    \n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 id=\"h-\" class=\"wp-block-heading\"><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Guidelines for Authors<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n<\/div>\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"publishing-open-access\" aria-hidden=\"true\"><\/span>Publishing Open Access<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"abstracting-amp-idexing\" aria-hidden=\"true\"><\/span>Abstracting &amp; Idexing<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The yearbook was accepted for inclusion in Scopus in 2026. All articles back to 2022 will be indexed.<\/p>\n\n\n        <h2 class=\"anchor-headline\"><span class=\"anchor-headline__anchor\" id=\"copyright\" aria-hidden=\"true\"><\/span>Copyright<\/h2>\n\n\n<div class=\"mediadata__grey-box\">\n    \n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 id=\"h-\" class=\"wp-block-heading\"><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.nomos.de\/en\/copyright-notice\/\" target=\"_blank\" rel=\"noreferrer noopener\">Copyright<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n<\/div>","protected":false},"template":"","class_list":["post-60447","mediadata","type-mediadata","status-publish","hentry","mediadata_category-arts-and-humanities"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.1 (Yoast SEO v26.2) - 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